Critiques
This work currently has 3 conforming critiques.
Since there are already at least three conforming critiques, if you write another conforming critique for this work, then you will receive only the usual one critique point every time another user rates your critique helpful.
Write a critique
If you find one of these critiques especially helpful--or especially unhelpful--then please take a moment to register your opinion by clicking one of the buttons to the right of the critique.
|
|
from artchik101/Pam (3,714) 
on November 5, 2009 9:18:17 PM CST
(0)
Interesting and thought provoking I like this a lot but I do agree about the dark edge it is a little distracting. But otherwise a very neat piece of work.
Reply
Show ratings
|
 |
|
| | |
|
|
|
from plopidol/Gareth (1,643)
on November 3, 2009 3:20:43 PM CST
(1)
This has the makings of a good work, but i think you need to crop out the darkness on the left under the thatch. Also the leopards head seems over illumnated to me. Having said all that criticism, I like the humour, she seems to looking for her lost cub/mate who is now part of the furniture.
Gareth
Reply
Show ratings
|
|
From gerhardbusch1/Gerhard (9,909)
on November 4, 2009 10:55:28 AM CST
Hello dear friend
The head of the leopard must formed become so so that it corresponded over it to the situation of the light of the lamp. Regards Gerhard
Reply
|
|
|
|
| | |
|
|
|
from jrtloverkelly/Kelly (530)
on November 3, 2009 9:11:08 AM CST
(2)
I could not see the large cat on the thumbnail. Was I ever surprised. This is a nice shot with a lot of detail. The animal seems to be relaxed, you can see the way it walks. I would crop a little more on the left side where it is dark and no details are there. I like the way you have this shot with the animal not being in the center. Kelly
Reply
Show ratings
|
|
|
Comments
Comments are different from critiques. Comments carry no rating, you may write more than one comment per work, and you may comment on your own works. If you want to rate this work, then you should write a critique instead.
Add a comment
There are no comments on this work.
Return to works
|
